Jessie French

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	<title>Jessie French</title>
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		<title>Home copy</title>
				
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		<pubDate>Sat, 14 May 2022 04:16:54 +0000</pubDate>

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The Myth of Nature – agaG1 [installation], 23rd Biennale of Sydney - rīvus, The Cutaway, Barangaroo, 12 March – 13 June 2022. Photos by Jessica Maurer.


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A Matter of Matter – agaG1, 23rd Biennale of Sydney - rīvus, Artspace at National Art School, 12 March – 13 June 2022. Photos by Jessica Maurer.


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Installation view, The Myth of Nature – agaG1 (V2), 2022, 'Legends of the deep', Institute of Modern Art (IMA). Photos by Joe Ruckli.
	
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Installation view, ‘Rivermouth’, Monash University Museum of Art (MUMA). Photos by Kenneth Suico. 


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Growthcentrism – C15H18NO8,&#38;nbsp;23rd Biennale of Sydney - rīvus , Artspace at National Art School, 12 March – 13 June 2022. Photos by Jessica Maurer.

	
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The Blinding Obligation That is Our Vulnerability - β-L-galactopyranose,&#38;nbsp;23rd Biennale of Sydney - rīvus,&#38;nbsp;Artspace at National Art School, 12 March – 13 June 2022.&#38;nbsp;Photos by Heilam Choi and Jessica Maurer.


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Installation view, Sunlight for Breakfast, 2023, ‘&#38;lt; &#38;gt;’, Project 8. Photos by Lucy Foster.
	

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&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/964b8d544dd9ee99efad3bee63f56410a2fbdf82a712269a3381531083039bc4/Untitled-3.jpg" data-mid="178873791" border="0"  src="https://freight.cargo.site/w/1000/i/964b8d544dd9ee99efad3bee63f56410a2fbdf82a712269a3381531083039bc4/Untitled-3.jpg" /&#62;
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/64e9095902b1ed48a8cf8a967e0ea7d00d2a04a297d9f15409cadd29cfa7fc1b/Untitled-8.jpg" data-mid="178873796" border="0"  src="https://freight.cargo.site/w/1000/i/64e9095902b1ed48a8cf8a967e0ea7d00d2a04a297d9f15409cadd29cfa7fc1b/Untitled-8.jpg" /&#62;

Installation view, ‘Antieternity’, 2023, presented by Michael Bugelli Gallery in association with MONA FOMA. Photos by Jesse Hunniford.


&#60;img width="3634" height="5451" width_o="3634" height_o="5451" data-src="https://freight.cargo.site/t/original/i/574fde8eebbf2f3186974fb85748cacc301f8e655f9907e2ab08cfce9ee04c06/_48A9987.jpg" data-mid="142973935" border="0"  src="https://freight.cargo.site/w/1000/i/574fde8eebbf2f3186974fb85748cacc301f8e655f9907e2ab08cfce9ee04c06/_48A9987.jpg" /&#62;
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&#60;img width="3686" height="5529" width_o="3686" height_o="5529" data-src="https://freight.cargo.site/t/original/i/ffeda45e6d02667a8d6862e648214196c0f5cc7edfee2471a7df4ebcbcab8241/_48A9858.jpg" data-mid="142972731" border="0"  src="https://freight.cargo.site/w/1000/i/ffeda45e6d02667a8d6862e648214196c0f5cc7edfee2471a7df4ebcbcab8241/_48A9858.jpg" /&#62;
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&#60;img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/ae707aca93a995f505dab18e9a44d82171a94cfc5f179d0907f0c29666af89a9/_48A9924.jpg" data-mid="142972985" border="0"  src="https://freight.cargo.site/w/1000/i/ae707aca93a995f505dab18e9a44d82171a94cfc5f179d0907f0c29666af89a9/_48A9924.jpg" /&#62;


Response-ability is not a calculation to be performed –
GH16, 23rd Biennale of Sydney - rīvus, The Cutaway, Barangaroo, 12 March – 13 June 2022. Photos by Jessica Maurer.
	
&#60;img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/8677bc79d3e0880620614f7bf99ebe55d8e1555546e34c56dd66a5be82941340/_48A0222.jpg" data-mid="142555425" border="0"  src="https://freight.cargo.site/w/1000/i/8677bc79d3e0880620614f7bf99ebe55d8e1555546e34c56dd66a5be82941340/_48A0222.jpg" /&#62;
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Custom comission - Campari Galleria at 23rd Biennale of Sydney - rīvus, The Cutaway, Barangaroo, 12 March – 13 June 2022. Photos by Jessica Maurer.


&#60;img width="3176" height="3176" width_o="3176" height_o="3176" data-src="https://freight.cargo.site/t/original/i/f118314ab34de2c925a4351fc76e00173a68197e6687a5e24f536c16b61730fa/Jessie_French_Other_Matter-1.jpg" data-mid="142979423" border="0"  src="https://freight.cargo.site/w/1000/i/f118314ab34de2c925a4351fc76e00173a68197e6687a5e24f536c16b61730fa/Jessie_French_Other_Matter-1.jpg" /&#62;
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&#60;img width="3776" height="3776" width_o="3776" height_o="3776" data-src="https://freight.cargo.site/t/original/i/bdbae4125abfb3d682c7731feb1759792312ae913d08e9a40738608432374ae2/Jessie_French_Other_Matter-5.jpg" data-mid="142979440" border="0"  src="https://freight.cargo.site/w/1000/i/bdbae4125abfb3d682c7731feb1759792312ae913d08e9a40738608432374ae2/Jessie_French_Other_Matter-5.jpg" /&#62;
&#60;img width="3927" height="3927" width_o="3927" height_o="3927" data-src="https://freight.cargo.site/t/original/i/e4961a237716a69dcb608f3ef4fc163734067481e11759f062d59e48b4b00717/Jessie_French_Other_Matter-8.jpg" data-mid="142979443" border="0"  src="https://freight.cargo.site/w/1000/i/e4961a237716a69dcb608f3ef4fc163734067481e11759f062d59e48b4b00717/Jessie_French_Other_Matter-8.jpg" /&#62;
&#60;img width="3776" height="3776" width_o="3776" height_o="3776" data-src="https://freight.cargo.site/t/original/i/5d928c061bea30cbdddca611ad6f9e7e65de781a75f22dea6a66c8aff7414988/Jessie_French_Other_Matter-9.jpg" data-mid="142979444" border="0"  src="https://freight.cargo.site/w/1000/i/5d928c061bea30cbdddca611ad6f9e7e65de781a75f22dea6a66c8aff7414988/Jessie_French_Other_Matter-9.jpg" /&#62;
&#60;img width="4037" height="4037" width_o="4037" height_o="4037" data-src="https://freight.cargo.site/t/original/i/e26326e9c9b957cfdde6db32ffca50bf226b431f2b5cf3f10492f6a34fb0d093/Jessie_French_Other_Matter-13.jpg" data-mid="142979446" border="0"  src="https://freight.cargo.site/w/1000/i/e26326e9c9b957cfdde6db32ffca50bf226b431f2b5cf3f10492f6a34fb0d093/Jessie_French_Other_Matter-13.jpg" /&#62;

Algae Bioplastic Tableware [series], 2020-2021, winner of the Jardan Prize, Victorian Craft Awards 2022. Photos by Pier Carthew.
	
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8624836b5e81e1e466793434c9055d78bdb71a28419f4a23ac84a8634145ee9c/21_Jessie-French__H_Trumble_Alt_Provisions.jpg" data-mid="142974536" border="0"  src="https://freight.cargo.site/w/1000/i/8624836b5e81e1e466793434c9055d78bdb71a28419f4a23ac84a8634145ee9c/21_Jessie-French__H_Trumble_Alt_Provisions.jpg" /&#62;
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&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b0282e1ff4af223f40b0b661270d94390a0df87ddbf117d5b72045b042cae86b/22_Jessie-French__H_Trumble_Alt_Provisions.jpg" data-mid="142555536" border="0"  src="https://freight.cargo.site/w/1000/i/b0282e1ff4af223f40b0b661270d94390a0df87ddbf117d5b72045b042cae86b/22_Jessie-French__H_Trumble_Alt_Provisions.jpg" /&#62;
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/25aef84d4a551ca5964f758196ff7b6bbf508ee9bf922cc4704b5b79ec67dd79/23_Jessie-French__H_Trumble_Alt_Provisions.jpg" data-mid="142974544" border="0"  src="https://freight.cargo.site/w/1000/i/25aef84d4a551ca5964f758196ff7b6bbf508ee9bf922cc4704b5b79ec67dd79/23_Jessie-French__H_Trumble_Alt_Provisions.jpg" /&#62;
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/89305ae2bdd1c0f0e850c628a09bedd253a6428a95f6664ed7d02d1a48b28c63/04__H_Trumble_Alt_Provisions.jpg" data-mid="142974514" border="0"  src="https://freight.cargo.site/w/1000/i/89305ae2bdd1c0f0e850c628a09bedd253a6428a95f6664ed7d02d1a48b28c63/04__H_Trumble_Alt_Provisions.jpg" /&#62;
Alternative Provisions, Craft Victoria, February 10 – March 26 2022. Photos by Henry Trumble.


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&#60;img width="4022" height="5000" width_o="4022" height_o="5000" data-src="https://freight.cargo.site/t/original/i/597ce85c0021ed036b9477458c8dc0a2adfb14cac4316bc0a8bd16d865e2d84b/Craft_Product_177.jpg" data-mid="143044231" border="0"  src="https://freight.cargo.site/w/1000/i/597ce85c0021ed036b9477458c8dc0a2adfb14cac4316bc0a8bd16d865e2d84b/Craft_Product_177.jpg" /&#62;
&#60;img width="4022" height="5000" width_o="4022" height_o="5000" data-src="https://freight.cargo.site/t/original/i/1822671b9ac05f39e743f4575c68a4a6096735f016848ec257315e298ff1af5b/Craft_Product_179.jpg" data-mid="143044230" border="0"  src="https://freight.cargo.site/w/1000/i/1822671b9ac05f39e743f4575c68a4a6096735f016848ec257315e298ff1af5b/Craft_Product_179.jpg" /&#62;
&#60;img width="1342" height="1667" width_o="1342" height_o="1667" data-src="https://freight.cargo.site/t/original/i/84ac7329f8a70186e0446a66b14aa24e4adf390bb19938bed543c33f30dc81dc/01_Jessie_French_-It-s_Getting_Hot_in_Here-_2022_Photography-Henry-Trumble-.jpg" data-mid="143044201" border="0"  src="https://freight.cargo.site/w/1000/i/84ac7329f8a70186e0446a66b14aa24e4adf390bb19938bed543c33f30dc81dc/01_Jessie_French_-It-s_Getting_Hot_in_Here-_2022_Photography-Henry-Trumble-.jpg" /&#62;
It’s Getting Hot in Here - 2022, Melbourne Design Fair, Craft Victoria, March 16 – 20 2022. Photos by Henry Trumble.
	
&#60;img width="4022" height="5000" width_o="4022" height_o="5000" data-src="https://freight.cargo.site/t/original/i/0908648dcf5c06d8876275bef576e20274885532d82839d975cddd6a92ce5880/Craft_Product_174.jpg" data-mid="143044301" border="0"  src="https://freight.cargo.site/w/1000/i/0908648dcf5c06d8876275bef576e20274885532d82839d975cddd6a92ce5880/Craft_Product_174.jpg" /&#62;
&#60;img width="4022" height="5000" width_o="4022" height_o="5000" data-src="https://freight.cargo.site/t/original/i/c73a23bf076388e874f0bc9385a0c63d86072073134b1f30aac9ec2c301f1161/Craft_Product_175.jpg" data-mid="143044269" border="0"  src="https://freight.cargo.site/w/1000/i/c73a23bf076388e874f0bc9385a0c63d86072073134b1f30aac9ec2c301f1161/Craft_Product_175.jpg" /&#62;
&#60;img width="4022" height="5000" width_o="4022" height_o="5000" data-src="https://freight.cargo.site/t/original/i/56cd191f709993eb0447dea9c9ef58b5ce8c025d2abbb0d28bae6e340c593c94/Craft_Product_176.jpg" data-mid="143044289" border="0"  src="https://freight.cargo.site/w/1000/i/56cd191f709993eb0447dea9c9ef58b5ce8c025d2abbb0d28bae6e340c593c94/Craft_Product_176.jpg" /&#62;
Dark Matter - 2022, Melbourne Design Fair, Craft Victoria, March 16 – 20 2022. Photos by Henry Trumble.


&#60;img width="4834" height="3750" width_o="4834" height_o="3750" data-src="https://freight.cargo.site/t/original/i/9876e00a24723d905c71244ef61b3dc65bcda59e46c8f031e46c94bf0be07ed1/Elemental-Construction_Page_5.jpg" data-mid="146729031" border="0"  src="https://freight.cargo.site/w/1000/i/9876e00a24723d905c71244ef61b3dc65bcda59e46c8f031e46c94bf0be07ed1/Elemental-Construction_Page_5.jpg" /&#62;
&#60;img width="4834" height="3750" width_o="4834" height_o="3750" data-src="https://freight.cargo.site/t/original/i/2fbd350420f0a0ab02f1106c68405eb38bc0836e7603c96efef03498ca131720/Elemental-Construction_Page_4.jpg" data-mid="146729030" border="0"  src="https://freight.cargo.site/w/1000/i/2fbd350420f0a0ab02f1106c68405eb38bc0836e7603c96efef03498ca131720/Elemental-Construction_Page_4.jpg" /&#62;
&#60;img width="3223" height="2500" width_o="3223" height_o="2500" data-src="https://freight.cargo.site/t/original/i/df055ab822daa253886753bdf6267dd77aa54ab28b05f36c1acd14faaabe08b7/Elemental-Construction_Page_6.jpg" data-mid="146729035" border="0"  src="https://freight.cargo.site/w/1000/i/df055ab822daa253886753bdf6267dd77aa54ab28b05f36c1acd14faaabe08b7/Elemental-Construction_Page_6.jpg" /&#62;
&#60;img width="4834" height="3750" width_o="4834" height_o="3750" data-src="https://freight.cargo.site/t/original/i/939e8fac063224b29d4156f2528c784fc4cd9356efa35a4aef5535057d916562/Elemental-Construction_Page_8.jpg" data-mid="146729081" border="0"  src="https://freight.cargo.site/w/1000/i/939e8fac063224b29d4156f2528c784fc4cd9356efa35a4aef5535057d916562/Elemental-Construction_Page_8.jpg" /&#62;
Elemental Construction [publication]. Featuring an essay by design curator Myf Doherty and designed by Rebecca McCauley, this pubication traces collaborative work with ceramicists Jia Jia Chen and Claire Lehmann of Fluff Corp. Photos by Aaron Claringbold. Available online here.


&#60;img width="4834" height="3236" width_o="4834" height_o="3236" data-src="https://freight.cargo.site/t/original/i/d1caad16735b571c5937234330474bb5a79c84e7162bce13e5fdc39df0c3b98f/Elemental-Construction2.jpg" data-mid="146724637" border="0"  src="https://freight.cargo.site/w/1000/i/d1caad16735b571c5937234330474bb5a79c84e7162bce13e5fdc39df0c3b98f/Elemental-Construction2.jpg" /&#62;
&#60;img width="4834" height="3236" width_o="4834" height_o="3236" data-src="https://freight.cargo.site/t/original/i/06b5873d4eb34eaa9193bdf2b5c3afb463fbf28c36745c26918cb7f705b33388/Elemental-Construction.jpg" data-mid="146724635" border="0"  src="https://freight.cargo.site/w/1000/i/06b5873d4eb34eaa9193bdf2b5c3afb463fbf28c36745c26918cb7f705b33388/Elemental-Construction.jpg" /&#62;
&#60;img width="2221" height="1487" width_o="2221" height_o="1487" data-src="https://freight.cargo.site/t/original/i/3f36a5acadde4a15a8be40a3b66caf03953bd4a142c9c76b97176f30cf92d602/Elemental-Construction1.jpg" data-mid="146724634" border="0"  src="https://freight.cargo.site/w/1000/i/3f36a5acadde4a15a8be40a3b66caf03953bd4a142c9c76b97176f30cf92d602/Elemental-Construction1.jpg" /&#62;


Research - Algal polymer applied as ceramic glaze, Melbourne - from March 2021. Documented by Aaron Claringbold Jule 2022.


&#60;img width="2000" height="2472" width_o="2000" height_o="2472" data-src="https://freight.cargo.site/t/original/i/493873b62c5f5188f0f6676524710a55b47896e55c5f9a8ded0a765af9bf6f84/Other_Matter_process-7.jpg" data-mid="143043475" border="0"  src="https://freight.cargo.site/w/1000/i/493873b62c5f5188f0f6676524710a55b47896e55c5f9a8ded0a765af9bf6f84/Other_Matter_process-7.jpg" /&#62;
Algae Bioplastic Tableware [series], 2021. In-studio photos by Pier Carthew.

	
&#60;img width="4223" height="6049" width_o="4223" height_o="6049" data-src="https://freight.cargo.site/t/original/i/ddd33be97f0feebaba2a632b9563f91384e699cc4e61965738216b35c394e162/Jessie-French-Other-Matter_Algae-bioplastic-vessels--2021-coloured-with-athrospira-planentis-microalgae_CR_Photographer-Pier-Carthew_Art-Director-Thalia-Economo-5.jpg" data-mid="142978276" border="0"  src="https://freight.cargo.site/w/1000/i/ddd33be97f0feebaba2a632b9563f91384e699cc4e61965738216b35c394e162/Jessie-French-Other-Matter_Algae-bioplastic-vessels--2021-coloured-with-athrospira-planentis-microalgae_CR_Photographer-Pier-Carthew_Art-Director-Thalia-Economo-5.jpg" /&#62;
&#60;img width="5001" height="3335" width_o="5001" height_o="3335" data-src="https://freight.cargo.site/t/original/i/b5ac2cd98ee97d80e494c534aa736ac93f4a4a34752b5a555b39859cbed111ec/JF6.jpg" data-mid="142978543" border="0"  src="https://freight.cargo.site/w/1000/i/b5ac2cd98ee97d80e494c534aa736ac93f4a4a34752b5a555b39859cbed111ec/JF6.jpg" /&#62;
&#60;img width="4801" height="3201" width_o="4801" height_o="3201" data-src="https://freight.cargo.site/t/original/i/d89ce1cacb1902de87c3fdbf3295f636d37804a6d6ab8eb203e59565a8fb4c72/JF1.jpg" data-mid="142978535" border="0"  src="https://freight.cargo.site/w/1000/i/d89ce1cacb1902de87c3fdbf3295f636d37804a6d6ab8eb203e59565a8fb4c72/JF1.jpg" /&#62;
Algae Bioplastic Tableware [series], 2021. Photos by Pier Carthew, art direction by Thalea Economo.


&#60;img width="3039" height="4127" width_o="3039" height_o="4127" data-src="https://freight.cargo.site/t/original/i/c3ea72a63f48d71dc27fc04cbec5fa8b94ebf0c1cd3866878a212d3d512e4dc3/TDF-JessieFrench-BioPlastic-AmeliaStanwix-7.jpg" data-mid="142977262" border="0"  src="https://freight.cargo.site/w/1000/i/c3ea72a63f48d71dc27fc04cbec5fa8b94ebf0c1cd3866878a212d3d512e4dc3/TDF-JessieFrench-BioPlastic-AmeliaStanwix-7.jpg" /&#62;
&#60;img width="3448" height="4828" width_o="3448" height_o="4828" data-src="https://freight.cargo.site/t/original/i/5352c98500d694611aa365cdc48979c3e1574c4ce340b60cf85073b3d304f993/TDF-JessieFrench-BioPlastic-AmeliaStanwix-8.jpg" data-mid="142555596" border="0"  src="https://freight.cargo.site/w/1000/i/5352c98500d694611aa365cdc48979c3e1574c4ce340b60cf85073b3d304f993/TDF-JessieFrench-BioPlastic-AmeliaStanwix-8.jpg" /&#62;
&#60;img width="3854" height="5396" width_o="3854" height_o="5396" data-src="https://freight.cargo.site/t/original/i/b415933a3c31a090cdf4a075c1a7e0d9e2db56464bb219de892e44b6ff3c13fe/TDF-JessieFrench-BioPlastic-AmeliaStanwix-6.jpg" data-mid="142977266" border="0"  src="https://freight.cargo.site/w/1000/i/b415933a3c31a090cdf4a075c1a7e0d9e2db56464bb219de892e44b6ff3c13fe/TDF-JessieFrench-BioPlastic-AmeliaStanwix-6.jpg" /&#62;
A Sea at the Table [installation], Melbourne Design Week - 26 March — 6 April 2021. Photos by Amelia Stanwix for The Design Files.

	
&#60;img width="1334" height="1795" width_o="1334" height_o="1795" data-src="https://freight.cargo.site/t/original/i/f3cf9e98732e8abc99950996946745ca0fe9cf33296e752798f1adc8baec36a3/Untitled-1.png" data-mid="142555304" border="0"  src="https://freight.cargo.site/w/1000/i/f3cf9e98732e8abc99950996946745ca0fe9cf33296e752798f1adc8baec36a3/Untitled-1.png" /&#62;
&#60;img width="2083" height="1478" width_o="2083" height_o="1478" data-src="https://freight.cargo.site/t/original/i/44caf239ce17501bfe7ae34ad95a4454fca1d753ef626d6a0e156259118d7137/LEbowl.png" data-mid="142555308" border="0"  src="https://freight.cargo.site/w/1000/i/44caf239ce17501bfe7ae34ad95a4454fca1d753ef626d6a0e156259118d7137/LEbowl.png" /&#62;
&#60;img width="2766" height="1170" width_o="2766" height_o="1170" data-src="https://freight.cargo.site/t/original/i/ef7fdab7124af66091af8869fa4428c3d19dad1603fd0debfd3700a5ecb4f9a1/LEbowl3.png" data-mid="142555306" border="0"  src="https://freight.cargo.site/w/1000/i/ef7fdab7124af66091af8869fa4428c3d19dad1603fd0debfd3700a5ecb4f9a1/LEbowl3.png" /&#62;
Algae Bioplastic Tableware [series] – 2020.


	&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/964e01f3a7c3bd92f55e9933db474a0e15e8ac77ed41dcf6451e67b14066b764/IMG_2516.jpg" data-mid="142561518" border="0"  src="https://freight.cargo.site/w/1000/i/964e01f3a7c3bd92f55e9933db474a0e15e8ac77ed41dcf6451e67b14066b764/IMG_2516.jpg" /&#62;
Seaweed Future: Red Gold,&#38;nbsp;1-54 Contemporary African Art Fair [offsite exhibitiion, Marrakech]
	&#60;img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/ccd7062cf3ed8c951f701d3b2d70275c49cae543304bcad14ef6536386806ebc/DSC_7476.png" data-mid="142561472" border="0"  src="https://freight.cargo.site/w/900/i/ccd7062cf3ed8c951f701d3b2d70275c49cae543304bcad14ef6536386806ebc/DSC_7476.png" /&#62;
Research - Algal polymer supply chain sustainability, Morocco - January — February 2020


	While we
uncovered fossils from the past, our time on Earth may be marked,
overwhelmingly, by Bic™ pen casings and other so-called disposable items.


French’s work explores the meaning
and value of the ephemeral; placing value in things that don’t last beyond our
lifetimes and challenging our obsession with the idea of ‘built-to-last’, which
largely fails to consider the ecological and social impacts of this everlasting
durability. Why
is it that objects which leave a geological mark lasting an epoch are so
readily available, with prices not accounting for their enduring environmental
burden?


Through her work – both material
research and production – French engages with and confronts our contemporary
environmental crisis. She proposes everyday solutions within the frame of human
production and consumption.


The polymers French uses come from
new algae, a renewable resource that has the potential to rehabilitate oceans
and the atmosphere through its sustainable production and harvest, rather than
ancient algae – a finite, mined resource that petroleum is made from.


	&#60;img width="4918" height="7373" width_o="4918" height_o="7373" data-src="https://freight.cargo.site/t/original/i/c0ea9af92261aa02c7772423d96fc88c4f54d15e893e03698f3aaa84e47c22be/20220309_JessieFrench_003.jpg" data-mid="142616850" border="0"  src="https://freight.cargo.site/w/1000/i/c0ea9af92261aa02c7772423d96fc88c4f54d15e893e03698f3aaa84e47c22be/20220309_JessieFrench_003.jpg" /&#62;


	I acknowledge the Wurundjeri People as the traditional custodians of the land on which I live and work, whose cultures are among the oldest living cultures in human history and who have one of the longest creative human histories on Earth. I pay respect to Elders of the community - past, present and emerging - and extend this respect to all First Nations people. Sovereignty was never ceded. My country has a rich history and its Indigenous peoples have unique cultural and spiritual relationships to the land, waters, seas and all living things in them.

	Copyright Jessie French 2022


</description>
		
	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://jessiefrench.com/About</link>

		<pubDate>Wed, 21 Oct 2020 21:55:33 +0000</pubDate>

		<dc:creator>Jessie French</dc:creator>

		<guid isPermaLink="true">https://jessiefrench.com/About</guid>

		<description>


Based in Naarm/Melbourne, Australia, the
work of Jessie French explores speculative futures through algae-based
bioplastic and water-based ecologies. Housed within an ethos of consumption,
sustainability and regeneration, her practice invites others to engage with the
possibilities of a post-petrochemical world. Through experimenting with other
materials, she explores the potential of closed-loop systems of (re)use and
conscious consumption and interaction with objects. In 2020, French founded
OTHER MATTER, an experimental design studio working with algae-based
bioplastics which engages others in the possibilities of new materials though
objects, experiences and futures.
As our planet faces the worsening
consequences of the human-made climate crisis, bioplastics made from renewable,
organic materials are gathering interest.


While we
uncovered fossils from the past, our time on Earth may be marked,
overwhelmingly, by Bic™ pen casings and other so-called disposable items.
Plastics made to fulfil a short-term purpose leave traces that last longer than
our lifetimes.


	&#60;img width="4918" height="7373" width_o="4918" height_o="7373" data-src="https://freight.cargo.site/t/original/i/c0ea9af92261aa02c7772423d96fc88c4f54d15e893e03698f3aaa84e47c22be/20220309_JessieFrench_003.jpg" data-mid="141954553" border="0"  src="https://freight.cargo.site/w/1000/i/c0ea9af92261aa02c7772423d96fc88c4f54d15e893e03698f3aaa84e47c22be/20220309_JessieFrench_003.jpg" /&#62;

	
&#60;img width="2057" height="2057" width_o="2057" height_o="2057" data-src="https://freight.cargo.site/t/original/i/4f350c6b7c3f43b050ad5bc971e14a47ab9686c8b8b74fbdeb65c49c121645f0/DSCF7057-1_banner_CR_Benjamin-Thompson.png" data-mid="86345493" border="0" data-no-zoom alt="Photo by Benjamin Thompson." data-caption="Photo by Benjamin Thompson." src="https://freight.cargo.site/w/1000/i/4f350c6b7c3f43b050ad5bc971e14a47ab9686c8b8b74fbdeb65c49c121645f0/DSCF7057-1_banner_CR_Benjamin-Thompson.png" /&#62;
Photo by Benjamin Thompson.
	French’s work explores the meaning
and value of the ephemeral; placing value in things that don’t last beyond our
lifetimes and challenging our obsession with the idea of ‘built-to-last’, which
largely fails to consider the ecological and social impacts of this everlasting
durability. Why is it that objects that leave a geological mark lasting an
epoch are so readily available and priced so cheaply, when we fail to consider
their enduring environmental burden?


Through her work – both material
research and production – French engages with and confronts our contemporary
environmental crisis. She proposes everyday solutions within the frame of human
production and consumption.


The polymers French uses come from
new algae, a renewable resource that has the potential to rehabilitate oceans
and the atmosphere through its sustainable production and harvest, rather than
ancient algae – a finite, mined resource that petroleum is made from.


Jessie has exhibited at art fairs and design weeks and with institutions including the 23rd Biennale of Sydney - rīvus, Craft Victoria,&#38;nbsp;Science Gallery Melbourne, Ars Electronica, Melbourne Design Week and the 1-54 Contemporary African Art Fair. 


&#60;img width="3168" height="1849" width_o="3168" height_o="1849" data-src="https://freight.cargo.site/t/original/i/d017b587dccbf2150e6d26100c2e5dd3fac8c2913248621d57462cb076187a68/IMG_2548-cutout.png" data-mid="86347149" border="0" alt="An artwork: A delicate sheet of agar-based bioplastic, coloured with locally-sourced Moroccan pigments, suspended from the wall with thin brass rods..  " data-caption="An artwork: A delicate sheet of agar-based bioplastic, coloured with locally-sourced Moroccan pigments, suspended from the wall with thin brass rods..  " src="https://freight.cargo.site/w/1000/i/d017b587dccbf2150e6d26100c2e5dd3fac8c2913248621d57462cb076187a68/IMG_2548-cutout.png" /&#62;
	

I acknowledge the Wurundjeri People as the traditional custodians of the land on which I live and work, whose cultures are among the oldest living cultures in human history and who have one of the longest creative human histories on Earth. I pay respect to Elders of the community - past, present and emerging - and extend this respect to all First Nations people. It is a privilege that we can name these people and celebrate this sixty-thousand year history of their culture. I recognise that sovereignty was never ceded. My country has a rich history and its Indigenous peoples have unique cultural and spiritual relationships to the land, waters and seas.

	Copyright Jessie French 2020


</description>
		
	</item>
		
		
	<item>
		<title>Research</title>
				
		<link>https://jessiefrench.com/Research</link>

		<pubDate>Thu, 22 Oct 2020 06:24:44 +0000</pubDate>

		<dc:creator>Jessie French</dc:creator>

		<guid isPermaLink="true">https://jessiefrench.com/Research</guid>

		<description>
	

This documentation is part of research conducted while on residency in Morocco in early 2020, visiting key sites of the agar supply chain. This research was undertaken to investigate the sustainability of agar  and potential issues surrounding its use as a material. While in Morocco, I met with marine experts, agricultural scientists, people developing aquaculture initiatives, local harvesters and people working at the only agar processing plant in Africa, Setexam. This processing plant produces more than half the world’s bacteriological agar and a significant amount of food and other technical agars.


&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/abeb5103f810007b5e915169154c472f186fc3d275d255d58066e6961919d564/DSC_7417.png" data-mid="86350110" border="0" data-no-zoom src="https://freight.cargo.site/w/800/i/abeb5103f810007b5e915169154c472f186fc3d275d255d58066e6961919d564/DSC_7417.png" /&#62;


	&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/ddc586ddc3eead7cd9d04cf59246148684637ad682429ea20ee2f1cf2c645045/DSC_7428.png" data-mid="86464474" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/ddc586ddc3eead7cd9d04cf59246148684637ad682429ea20ee2f1cf2c645045/DSC_7428.png" /&#62;
INDEPENDENT HARVESTING


Taken in Sidi Bourzid on the coast of Morocco, these images show local harvesters, often women, collecting red algae from the ocean. Harvesters also dive to collect seaweed, however this practice is now regulated and requires sites for harvest be inspected by an independent marine biologist and permits be issued from the Government linked to licences issued to processing partners. These measures were put in place in the 2010s to combat over-harvesting and maintain sustainable practice.
&#60;img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/e9af66fd3d20da4fe34eb3d15befe79054033127c638791cf4d321e998119804/DSC_7476.png" data-mid="86464490" border="0" data-no-zoom alt="Gelidium sesquipedale - known as 'red gold' in acknowledgement as an economically significant plant." data-caption="Gelidium sesquipedale - known as 'red gold' in acknowledgement as an economically significant plant." src="https://freight.cargo.site/w/900/i/e9af66fd3d20da4fe34eb3d15befe79054033127c638791cf4d321e998119804/DSC_7476.png" /&#62;

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LOCAL PROCESSING

Seaweed collected by harvesters is dried and shaken out to remove losse sand and salt, then sold by weight to the processing plant. In Africa, the only processing plant is Setexam, which is a third-generation family business started by a marine biologist couple who recognised the value of the local seaweeds and began the company in 1960 – a catalyst for the industry to develop.Agar is processed simply through a mostly water and heat based extraction process to refine the gellifying polymers. Laboratory scientists test for purity and adjust to highly specified needs of their customers in industries ranging from biomedical research to fast moving consumer goods.
Projects are underway to begin farming projects to grow red algae from the gracilaria genus, which can be processed into agar for use in food and cosmetics. Gelidium, the other main type of red algae that grows off Morocco, which is prized for its superior gel strength and used for high-grade bacteriological agar – and known as ‘red gold’ is unable to be farmed. 


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SUSTAINABLE CONTROLS

In 2014, Setexam, the only agar processing plant in Africa, led an initiative with the Moroccan Government which saw the introduction of the country’s first controls to sustainably protect seaweed harvesting. Before any below-water harvesting takes place, an independent marine biologist must inspect the plants and provide approval that harvesting will be sustainable for future growth.

These controls sparked short-term global shortages of bacteriological agar, which were reported in scientific literature. Long-term though, they are securing the ecosystems and industry alike for the future.
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I acknowledge the Wurundjeri People as the traditional custodians of the land on which I live and work, whose cultures are among the oldest living cultures in human history and who have one of the longest creative human histories on Earth. I pay respect to Elders of the community - past, present and emerging - and extend this respect to all First Nations people. It is a privilege that we can name these people and celebrate this sixty-thousand year history of their culture. I recognise that sovereignty was never ceded. My country has a rich history and its Indigenous peoples have unique cultural and spiritual relationships to the land, waters and seas.

	Copyright Jessie French 2020

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		<title>Contact</title>
				
		<link>https://jessiefrench.com/Contact</link>

		<pubDate>Tue, 16 Feb 2021 07:08:01 +0000</pubDate>

		<dc:creator>Jessie French</dc:creator>

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I am based in naarm/Melbourne, Australia.
Contact me via email&#38;nbsp;here (french.jessie@g︎.com) or reach out via instagram here.


I acknowledge the Wurundjeri People as the traditional custodians of the land on which I live and work, whose cultures are among the oldest living cultures in human history and who have one of the longest creative human histories on Earth. I pay respect to Elders of the community - past, present and emerging - and extend this respect to all First Nations people. It is a privilege that we can name these people and celebrate this sixty-thousand year history of their culture. I recognise that sovereignty was never ceded. My country has a rich history and its Indigenous peoples have unique cultural and spiritual relationships to the land, waters and seas.

	Copyright Jessie French 2020


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